Landscape Photography with Animals

by Ron Toel

Other Articles by Ron Toel:

Choosing the Right Camera ... Skyscapes ... Abstract Photography ... Close-up Photography ... Natural Frames ... Nature / Wildlife Photography ... Nature / Wildlife Photography ... Wildlife Photography from Vehicles ... Taking Photos at Zoos ... Desert Photography ... Photography at Game Farms ... Grassland Photograph ... Mountain Photography ... Wetland Photography ... Woodland Photography ... The Beauty of Snow and Ice ... Geothermal Photography ... Stalking Your Targets ... Nature's Calendar ... The Color of Light ... Twilight Photography ... EtiquetteIdeas to Enhance Watching Wildlife ... Reasons for Attending a Workshop ... Keeping Your Awareness

Unrelated to Photography: Alligators ... Elephant Seals ... Ruby-throated Hummingbirds ... Wood Storks

Ron Toel - Nature Photographer


PronghornGetting close to animals has been the challenge for most wildlife photographers and getting that head shot seems to be the endall of  the photographers dream.  Not all wildlife shots have to be frame filling.  One class of shots dispenses with that philosophy ... a longer view that shows an animal or group of animals in their habitat. This in itself is a strong image because it helps the Photographer tell the story and context in which the animal’s image was taken.  There are times when the cover to approach the animal is to sparse to do anything but frighten the animal.  No image is worth the altering of any animals daily routine and causing them to expend useless energy.

This is the time when compositional skills are important and crucial because the view of the subject is not satisfactory.  If however, one is close enough and has a large enough lens to fill the frame, there is not much need for the compositional skill, because there is only so many ways to fill that frame.  But if the animal is much smaller than the frame in which one places it, the position of that animal becomes very important. 

  • Position: Most novice photographers place it in the middle. This is the least satisfactory place for it shows a vast emptiness surrounding the animal.  Depending upon the lens one uses it could also show parts of the image out of focus. 

    All the compositional wizards say a traditionally balanced subject is off-centered, by about one third from the top or bottom and from either side.  As well as producing balance this off centered placement also reduces the fact that the animal appears smaller than one would like it to be.

  • Placement: If one is using a large telephoto lens, the depth of field is usually shallow and thus placing the animal in a low position in the frame helps to eliminate the majority of out of focus foreground.  The low placement also emphasizes the surroundings more, which makes it an animal plus surroundings.

    Another hint in composition is to have the animal facing to the center of the image.  This allows the drama to take place in the space in which the animal is facing.  True balance does not mean an image has to be symmetrical, however, it means just the opposite, as an unsymmetrical image is much more pleasing to the eye that one that teems with symmetry.

Now while one is stalking the animal to get the frame filling head shot, take some images along the way so the viewers will appreciate what the photographer has gone through to get the shot.



Comments